How to dictate the terms of ingame bartering, trade, and haggling? How to deal with ingame arguments over splitting loot? Well, there are a few ways to do things, and a few ways to prepare.
It's good to discuss the ingame system for gathering loot beforehand. Many players like individual assets, by splitting loot into equal shares. Others prefer a Party Bank system, where all gathered loot goes into a communal treasury, and when needed, they can withdraw shares of it for things like personal spending, or purchases. Another method(rarely used, only ever played a game with this system once) is the award method, where players ask for loot from the DM, who awards it according to a Need/Want system. Those who need roll against each other for the item, in the case of want, it is determined by interested party members rolling against each other.
If there is loot that is found, in the case of the first two, which is, let's say, a +1 Longsword with a fire effect, then it becomes part of the accrued wealth of their current endeavor. A player may want it, but their total share of the gathered wealth is short by 200 gold. They can remove a share of 200 gold from the party bank, or in the other system, pay 200 gold into the accrued wealth of the party, to make it even for the others by taking the item. Now let's say that two players want it, a Paladin of Pelor, and an Elven Fighter. They can't decide who should have it, and they both want it. They could resolve this by entering into a bidding war, putting their wealth against the other for the item, paying out the share for the party, plus whatever further they're willing to pay the other party who wants it. Or they may decide to settle it via die roll; Highest roll takes it, after paying the share.
For intown RP, you are, to all intents and purposes as the DM, the NPCs voices, characteristics, and nature. A surly Dwarf selling armors, a sly gnome offering magical trinkets, a flighty airheaded human selling tools, a deep voiced half-orc offering the finest vintages of the Elderwood, a slightly deranged elven alchemist babbling about requiring more Toadmoss...
However, this is not as challenging as it sounds. You just need a bit of time for preparation. Write down a list of names, races, kinds of stores, and two outstanding features(Accent and a facial feature are easiest: Stereotypical fantasy accents, facial hair, scars, an eyepatch, look like they're sucking a lemon, always smiling, slicked back hair, etc.) If your players will be spending time in the same town, they can visit the same merchants again and again.
As for bartering, they can make checks against each other, such as Diplomacy, and have the shopkeepers check against the player with their Sense Motive(for ease, roll a d4 for their modifier for sense motive, or a d10 for an experienced shop-keep). Haggling checks could be broken down into a d20 system for ease of use; 1-7 means the haggle fails, full price. 8-14, the price is reduced by 5%. 15-19, price is reduced by 10%. Natural 20, price is reduced by 10%, and comes with a similar item of 10% or less of total value of item being haggled for.
As DM, your word is final on such things, though. If your players try to intimidate a shopkeeper for better prices, the players may very well encounter difficulties down the road. The shopkeeper may report them to the town guard; He may let the other merchants of the town know, leading to higher initial prices for goods. If they bluff that the items are worth more than they appear, and it falls through, the shopkeeper will press charges for fraud in a civil court, or take the matter to the local Lord or Noble. If the players haggle too much, the shopkeeper may declare that there will be no haggling, or even throw the players out.
Saturday, April 7, 2012
Sunday, February 19, 2012
Optimizing a Character: Human Bard
There are many unique ways to build characters, but I've just so happened to have thought up this one, and I feel it's too good not to share.
Baldric Bard
A human bard with the right equipment and move set can offer a significant advantage.
By taking the feats "Two Weapon Fighting" and "Quick Draw" you can remain armed with daggers in both hands at all times in combat, even if you throw some away, and lose very little in the way of offensive ability. If you'll be playing with miniatures, it'll be easy to calculate distance, or if you uses tokens on grids to represent combat areas. It breaks down as thus:
A dagger can be used as a regular melee weapon for melee damage, excepting the deductions for the offhand weapon. You can use only half of your strength bonus for the offhand dagger, and it will be slightly less accurate. Same as applied for the influence of strength for throwing your daggers, and they will do the same damage. You can throw your daggers up to fifty feet, or ten squares in game. Your accuracy will deteriorate by an additional -2 per range increment(ten feet, or two squares in game). Quick Draw will allow you to draw another dagger once you've made your attacks. You will be capable of retaining weapons in both hands at all times, and will have an effective threat range as far as you can throw. So long as you purchase enough daggers and collect them from the battlefield, you shouldn't run out of weapons, and it should be cheap enough that your character will have a large disposable income. A baldric full of daggers makes for easy access and usage.
As long as you choose to whistle, sing, or some other form of verbal music, you can have both your hands ready to deal ranged or melee damage, and still be able to perform bardic counter songs, and other class related abilities.
And if you want to really take advantage of this class and setup, you'll want to place your ability points primarily in Strength, then Dexterity, then Intelligence, then Charisma, then Constitution, using Wisdom as your lowest stat. Once you acquire the proper prerequisites for Greater Two Weapon Fighting, your efficiency will increase dramatically.
As a Human, you'll have access to more Skill points at first level, and an additional point per level after that, after calculating for your Skill points. If you want to further improve your effectiveness with this class, you can take Profession(Alchemy) as a skill, and brew poisons to use on your blades.
In essence, clever use of feats and available weapons can make for unique and surprising combinations. Many people shrug bards off as overly generalized Jacks of all trades, but a specialized bard such as this has the hallmarks of great utility in many situations. A skilled warrior, a subtle assassin, a dashing hero; The potential is in your hands.
Baldric Bard
A human bard with the right equipment and move set can offer a significant advantage.
By taking the feats "Two Weapon Fighting" and "Quick Draw" you can remain armed with daggers in both hands at all times in combat, even if you throw some away, and lose very little in the way of offensive ability. If you'll be playing with miniatures, it'll be easy to calculate distance, or if you uses tokens on grids to represent combat areas. It breaks down as thus:
A dagger can be used as a regular melee weapon for melee damage, excepting the deductions for the offhand weapon. You can use only half of your strength bonus for the offhand dagger, and it will be slightly less accurate. Same as applied for the influence of strength for throwing your daggers, and they will do the same damage. You can throw your daggers up to fifty feet, or ten squares in game. Your accuracy will deteriorate by an additional -2 per range increment(ten feet, or two squares in game). Quick Draw will allow you to draw another dagger once you've made your attacks. You will be capable of retaining weapons in both hands at all times, and will have an effective threat range as far as you can throw. So long as you purchase enough daggers and collect them from the battlefield, you shouldn't run out of weapons, and it should be cheap enough that your character will have a large disposable income. A baldric full of daggers makes for easy access and usage.
As long as you choose to whistle, sing, or some other form of verbal music, you can have both your hands ready to deal ranged or melee damage, and still be able to perform bardic counter songs, and other class related abilities.
And if you want to really take advantage of this class and setup, you'll want to place your ability points primarily in Strength, then Dexterity, then Intelligence, then Charisma, then Constitution, using Wisdom as your lowest stat. Once you acquire the proper prerequisites for Greater Two Weapon Fighting, your efficiency will increase dramatically.
As a Human, you'll have access to more Skill points at first level, and an additional point per level after that, after calculating for your Skill points. If you want to further improve your effectiveness with this class, you can take Profession(Alchemy) as a skill, and brew poisons to use on your blades.
In essence, clever use of feats and available weapons can make for unique and surprising combinations. Many people shrug bards off as overly generalized Jacks of all trades, but a specialized bard such as this has the hallmarks of great utility in many situations. A skilled warrior, a subtle assassin, a dashing hero; The potential is in your hands.
Wednesday, February 1, 2012
Talking Game
This post is pretty much just for game discussion. Please, feel free to comment, and share your views.
What do you want to see? Share it right here!
What do you want to see? Share it right here!
Monday, January 30, 2012
Poll Ended: Exciting Adventures and Quests for Fleshing Out Your World!
Because the poll had such a close finish, I'm going to work on Quests, Adventures, and ways that you can work both into creating a more memorable and fun game world.
The main points of a successful game world are:
Remember: You know your players better than I, and what motivates players best is what interests them. I hope you found this information useful; Good luck with your games!
The main points of a successful game world are:
- A form of government, nations, kingdoms, etc. A good mix of nations with different ideals. Your PCs can find common ground with those they find interesting. A party of adventurers may enjoy the intrigues of a royal court, or be more at home in a feasting hall with the Chieftain of the Breakspear tribe.
- Adventure hooks, or lures. Tales of treasure to be found in the ruins of a mythical Elven city, rumors of dark things creeping in the mines of Faltyr, a contest of skills with high stakes. If your players aren't interested in going out and doing, your game may end up on rails and feel forced.
- Lore, fables, myths and legends. Many things may not directly affect the players; Rumors of foul play in a King's ascension to his throne, or dark tales of a warrior who guards a lonely mountain pass. It may not draw in your players, but it helps to make your world seem more complete.
- Consequences. Perhaps the players save a town from a rampaging beast which had destroyed much viable farmland in a rampage. The players move on, but in a few weeks in the game, come back through the town. What do you think they'll find? It may come to pass that without those crops, they've had to begin charging a toll on their bridge. Of course, they may waive the toll for the heroes who saved them. Or perhaps the townsfolk have equipped their men for war and sent them off to a distant battlefield to save their families from starvation.
- Opportunity, and fame. So let's say your players are doing quite well for themselves, and want to establish themselves a presence. They could buy an existing building, and turn it into a home, or an Inn, or a shop. They could have a keep, tower, or house built. Start a business, take advantage of cheap local goods and start a caravan for profit. They may decide to hire sellswords and offer themselves to the highest bidder as mercenaries. Their reputations could grow and become sought after for their previous actions. Perhaps they slew the dread-beast of Illmoor, and a noble hires them to slay a basilisk which wandered into a profitable quarry. Establishing themselves as slayers of exotic monster, they could become the consummate hunters-for-hire. You can set up paths for them to follow with ease, if you learn their goals.
- NPCs. They are the voice of the Dungeon Master. Be they a King or peasant, they fill the game world with their presences. The shady man offering a great deal of gold for a problem "solved", the leader of a bandit gang, the drunken beggar, the damsel in distress, all help to shape your world. Say your players find themselves coming into a new town. It's not much, mostly just small houses on farm plots. There's no one around. They go right into the small town, and find that no one is outside. Heading to the local tavern, they enter and the only person there is the short human bartender. Your Players will probably want to ask him what's going on; How the Bartender responds to the PC will say a lot. If he hides under the bar and starts yelling about needing more time, but that he'll have the money, it will probably lead the players to believe that someone or thing is putting the squeeze on the barkeep. That may lead good characters to wanting to help, and may set in motion events which will see the Players as heroes of the town. But it all comes down to the NPCs.
Remember: You know your players better than I, and what motivates players best is what interests them. I hope you found this information useful; Good luck with your games!
Thursday, January 19, 2012
Who's This Guy? Designing NPCs.
So you've got your maps prepared, you've got a world ready to put together, but what's the glue that will make it all stick together? Using the example of Newport(you can find the example town of Newport here:), I'll try to answer that. What will make Newport stand out? It's just a small town, much like any other. It doesn't have any notable geography, nor any exotic exports. In fact, the most exciting news is that they've found a vein of iron ore in the cliff wall of the valley. What will make it stand out?
The Non-Player Characters that populate it, of course. A miserly tavern keep with watered down ales, old bread, drafty rooms and a nasal voice. A customs officer with shifty eyes and suspicious packages. The foppish Captain Rosseau and his clinking chain mail that's seen better days. The drawling Sheriff and his long dark mustache. Maybe they find a lost pair of Dwarven Fighters who've wandered into a dungeon and can't find their way out. The way a character is designed goes beyond an equipment list or stats, and their goals clashing with the Player's goals makes for even more memorable encounters. The miserly tavern keeper sneering at the Players as they complain about the service. "What, you think this is Cormanth? We don't offer a tea service here, laaadies." The foppish Captain Rosseau challenging a Player to a duel over an unintended slight. "How dare you! I challenge thee to honourable combat, you impudent rapscallion!" The Mayor's daughter, seemingly drenched in perfume, flirting with the players. "Oooh, what big strong muscles! You look like you could pick me up...*wink* and lift me too." Lord Shasp, standing strong in front of the gates of the town, Dwarven-crafted war axes clenched in each hand, bellowing, "Archers! FIRE! Infantry, CHARGE!" As he leads his faithful retainers straight into the goblins.
And remember, each of these NPCs has their own agendas. Perhaps the tavernkeeper is really a spy for a neighboring lord. Maybe the Mayor's daughter is planning on making her boyfriend jealous and causing a brawl in the bars. The tavern's visiting bard could be spying for the Harbourmaster, to find out who his wife is cheating on him with. A cheerful caravan of halflings could be a band of thieves, assassins in disguise, or as they are, a band of merry folk who may contract the Players to guard them on their way to the capital.
A good NPC can drive on a plot, but ultimately, it's the way your players react to them that makes them memorable. You can prepare several interesting, entertaining, or devious NPCs, and the one that the players remember with most fondness may be the young elven maiden who braided them each a daisy crown as they went out to face the goblins on the day of the battle.
Motivations make the game world go around, and your PCs won't want to be pawns to others very often. But a well made NPC with ulterior motives, who convinces them into doing something for him which turns out to be for the worse, can really bring a session to a boil, especially if said NPC will become a focal villain for your game. A good escape plan on his part, and your players will want to track him down, for justice, to right what they did, to reclaim an artifact, or good old fashioned revenge.
Next time, I'll tell more about making a good villain, and tools you can use to make your villains stand out, die well, and to use them to link a story together.
The Non-Player Characters that populate it, of course. A miserly tavern keep with watered down ales, old bread, drafty rooms and a nasal voice. A customs officer with shifty eyes and suspicious packages. The foppish Captain Rosseau and his clinking chain mail that's seen better days. The drawling Sheriff and his long dark mustache. Maybe they find a lost pair of Dwarven Fighters who've wandered into a dungeon and can't find their way out. The way a character is designed goes beyond an equipment list or stats, and their goals clashing with the Player's goals makes for even more memorable encounters. The miserly tavern keeper sneering at the Players as they complain about the service. "What, you think this is Cormanth? We don't offer a tea service here, laaadies." The foppish Captain Rosseau challenging a Player to a duel over an unintended slight. "How dare you! I challenge thee to honourable combat, you impudent rapscallion!" The Mayor's daughter, seemingly drenched in perfume, flirting with the players. "Oooh, what big strong muscles! You look like you could pick me up...*wink* and lift me too." Lord Shasp, standing strong in front of the gates of the town, Dwarven-crafted war axes clenched in each hand, bellowing, "Archers! FIRE! Infantry, CHARGE!" As he leads his faithful retainers straight into the goblins.
And remember, each of these NPCs has their own agendas. Perhaps the tavernkeeper is really a spy for a neighboring lord. Maybe the Mayor's daughter is planning on making her boyfriend jealous and causing a brawl in the bars. The tavern's visiting bard could be spying for the Harbourmaster, to find out who his wife is cheating on him with. A cheerful caravan of halflings could be a band of thieves, assassins in disguise, or as they are, a band of merry folk who may contract the Players to guard them on their way to the capital.
A good NPC can drive on a plot, but ultimately, it's the way your players react to them that makes them memorable. You can prepare several interesting, entertaining, or devious NPCs, and the one that the players remember with most fondness may be the young elven maiden who braided them each a daisy crown as they went out to face the goblins on the day of the battle.
Motivations make the game world go around, and your PCs won't want to be pawns to others very often. But a well made NPC with ulterior motives, who convinces them into doing something for him which turns out to be for the worse, can really bring a session to a boil, especially if said NPC will become a focal villain for your game. A good escape plan on his part, and your players will want to track him down, for justice, to right what they did, to reclaim an artifact, or good old fashioned revenge.
Next time, I'll tell more about making a good villain, and tools you can use to make your villains stand out, die well, and to use them to link a story together.
Wednesday, January 18, 2012
Newport: An Example Small Town Port
Newport: Population 247.
Local Noble: Lord Shasp
Mayor: Edward Edwardson
Mayor's Daughter: Jolene Edwardson
Harbourmaster: Terrence Keeper
Wife: Anna Keeper
Customs Officers: Tom Jones, Greg Edels
Sheriff: Nick Aleksandr, two dozen town guards
Lord Shasp's retainers: an even dozen, two officers
Captain Rosseau Aleksandr
Sergeant Jorge Keeper
Tavernkeeper: Frederick Crosh(miserly)
Newport is a small, newer port town. It services primarily trading vessels and it's small fishing fleet, and the local economy is based on hunting, fishing, and farming. They sell fresh water and rations to the trading vessels, and import most of their luxury goods. A recently discovered vein of fine iron ore has attracted a small clan of Dwarves, the Forge-hammer clan.
The docks are too small for large shipbuilding, but can repair and service the large trading vessels. Lord Shasp is currently building a manse in the town, and a wall for the town. It stands at just two feet, but the gatehouses have been completed at fifteen feet with the wall planned for ten feet. The Forge-Hammer clan has been contracted to build it.
The local goblin tribe steals produce and livestock from the outlying farms but are growing more bold. A hobgoblin with an enchanted mace is riling them up, and will, without player intervention within a day, attack an outlying farmstead. They will continue attacking farmsteads under the cover of night until defeated, or until they try the walls in a week. The mace can, once per day, cast a 1d8 thin bolt of lightning, or deliver that damage on contact once per day.
Recently, an assassin tracked a Wizard to a cavern near the town, and attempted to kill him. The wizard managed to summon a demon into a prepared circle of holding, which scared off the assassin, but before the Wizard could release or instruct the demon to a task, he died, leaving the demon stranded there. It is trapped in our world, and cannot leave until time erases the circle holding him, or until someone breaks it for it. It will perform a task for a character in exchange for freedom, or peacefully vanish if asked, but if not asked to begone or to do a task, it will attack the characters immediately(any minor demon will do).
Before the goblins attack the town, the Dwarves will offer assistance to Lord Shasp and dig a concealed, stake-lined trench behind the walls to protect the town. The Harbourmaster will provide a nearly depleted wand of fireballs if the Players ask him for aid in defending the town. The miserly tavernkeeper will offer a free ale if his tavern is undamaged at the end of hostiles. Just one. The goblins have only ten slings and a bow, and are armed with clubs. They will swarm the gatehouses, and push to the edges to take the stairs if they attack the town, before pushing into the town. Shasp will offer a reward of gold(fifty each for the players) for a report on goblin activities after the first farm is attacked. He will also outfit the PCs with armours or weapons to a certain gold limit, from his armoury if the PCs defend the town(they'll keep them).
Secrets: The Mayor is a widower, and will do whatever his daughter asks of him. His daughter is spoiled rotten and is dating Greg Edels, the customs officer. Tom Jones works with the local Rouges, a father and son, as smugglers. They procure and fence goods, and stash them in crates of produce they grow, and Tom marks it as clean for Rogues in other ports to collect. If the players save the father and son, they'll part with a small stash of gold hidden in their chicken coop. The harbourmaster's wife is cheating on him with the Tavernkeeper.
Best part of this material is, the port town is in a long valley with a bottleneck end leading to... Anywhere you would need it to. It would be a great place for anything, like a maze of twisty canyons, a deep forest, or so on.
Local Noble: Lord Shasp
Mayor: Edward Edwardson
Mayor's Daughter: Jolene Edwardson
Harbourmaster: Terrence Keeper
Wife: Anna Keeper
Customs Officers: Tom Jones, Greg Edels
Sheriff: Nick Aleksandr, two dozen town guards
Lord Shasp's retainers: an even dozen, two officers
Captain Rosseau Aleksandr
Sergeant Jorge Keeper
Tavernkeeper: Frederick Crosh(miserly)
Newport is a small, newer port town. It services primarily trading vessels and it's small fishing fleet, and the local economy is based on hunting, fishing, and farming. They sell fresh water and rations to the trading vessels, and import most of their luxury goods. A recently discovered vein of fine iron ore has attracted a small clan of Dwarves, the Forge-hammer clan.
The docks are too small for large shipbuilding, but can repair and service the large trading vessels. Lord Shasp is currently building a manse in the town, and a wall for the town. It stands at just two feet, but the gatehouses have been completed at fifteen feet with the wall planned for ten feet. The Forge-Hammer clan has been contracted to build it.
The local goblin tribe steals produce and livestock from the outlying farms but are growing more bold. A hobgoblin with an enchanted mace is riling them up, and will, without player intervention within a day, attack an outlying farmstead. They will continue attacking farmsteads under the cover of night until defeated, or until they try the walls in a week. The mace can, once per day, cast a 1d8 thin bolt of lightning, or deliver that damage on contact once per day.
Recently, an assassin tracked a Wizard to a cavern near the town, and attempted to kill him. The wizard managed to summon a demon into a prepared circle of holding, which scared off the assassin, but before the Wizard could release or instruct the demon to a task, he died, leaving the demon stranded there. It is trapped in our world, and cannot leave until time erases the circle holding him, or until someone breaks it for it. It will perform a task for a character in exchange for freedom, or peacefully vanish if asked, but if not asked to begone or to do a task, it will attack the characters immediately(any minor demon will do).
Before the goblins attack the town, the Dwarves will offer assistance to Lord Shasp and dig a concealed, stake-lined trench behind the walls to protect the town. The Harbourmaster will provide a nearly depleted wand of fireballs if the Players ask him for aid in defending the town. The miserly tavernkeeper will offer a free ale if his tavern is undamaged at the end of hostiles. Just one. The goblins have only ten slings and a bow, and are armed with clubs. They will swarm the gatehouses, and push to the edges to take the stairs if they attack the town, before pushing into the town. Shasp will offer a reward of gold(fifty each for the players) for a report on goblin activities after the first farm is attacked. He will also outfit the PCs with armours or weapons to a certain gold limit, from his armoury if the PCs defend the town(they'll keep them).
Secrets: The Mayor is a widower, and will do whatever his daughter asks of him. His daughter is spoiled rotten and is dating Greg Edels, the customs officer. Tom Jones works with the local Rouges, a father and son, as smugglers. They procure and fence goods, and stash them in crates of produce they grow, and Tom marks it as clean for Rogues in other ports to collect. If the players save the father and son, they'll part with a small stash of gold hidden in their chicken coop. The harbourmaster's wife is cheating on him with the Tavernkeeper.
Best part of this material is, the port town is in a long valley with a bottleneck end leading to... Anywhere you would need it to. It would be a great place for anything, like a maze of twisty canyons, a deep forest, or so on.
Building Your Foundations
So, you've got the plans made, you're the Dungeon Master, you've got some time to prepare, and some map pieces already made up. But where to begin?
Some Dungeon Masters usually like starting things off in a tavern, but feel free to be creative. Perhaps they were escorting a caravan, and have just arrived in a town(maybe they see something happen and rush to do something about it). Maybe they were all gathered by a local noble for a task, and await his audience. Maybe they've been gathered from a prison, and are offered freedom in exchange for recovering an artifact.
But what motivates your players? Do they seek fame? Wealth? A position of power? Or do they just want to slay themselves some monsters?
Introducing organizations in the game world with their own objectives and goals can help your players set their own goals. Perhaps they decide to eradicate the Black Claw Mercs, a small outfit of Lizardmen and Half-Orcs who take any job, no questions asked. Or perhaps they may want to join and rise to the top of the Black Claws; Either way, it helps them feel like they're making a presence. Say they wipe out the Black Claw mercs to protect a small town mayor they were sent to kill. The corrupt noble who hired the Black Claws may attempt a reprisal, or perhaps another mercenary outfit decides that they like the player's bravado and offer them membership in the Red Blades. Possibilities exist as far as you can imagine.
Say you want to lead the characters to a specific point, but you don't want to drag them by the nose. You can tailor certain encounters to make them interested. A band of players who likes the idea of being mercenaries for hire may be swayed by a stranger showing up and offering them a job with a bag of gold or of precious stones as a down payment. Maybe a wounded soldier riding into town and reporting bandits having kidnapped the Duke's daughter will stir a compassionate party. Reports coming in of a terrifying fire-breathing beast will surely draw in a party interested in a good fight. But in the end, your knowledge of your players will help far more than anything I can suggest in an article.
Next time, I'll explain a bit more about NPC design, and handy tricks for making up memorable characters on short notice, and on the spot.
Some Dungeon Masters usually like starting things off in a tavern, but feel free to be creative. Perhaps they were escorting a caravan, and have just arrived in a town(maybe they see something happen and rush to do something about it). Maybe they were all gathered by a local noble for a task, and await his audience. Maybe they've been gathered from a prison, and are offered freedom in exchange for recovering an artifact.
But what motivates your players? Do they seek fame? Wealth? A position of power? Or do they just want to slay themselves some monsters?
Introducing organizations in the game world with their own objectives and goals can help your players set their own goals. Perhaps they decide to eradicate the Black Claw Mercs, a small outfit of Lizardmen and Half-Orcs who take any job, no questions asked. Or perhaps they may want to join and rise to the top of the Black Claws; Either way, it helps them feel like they're making a presence. Say they wipe out the Black Claw mercs to protect a small town mayor they were sent to kill. The corrupt noble who hired the Black Claws may attempt a reprisal, or perhaps another mercenary outfit decides that they like the player's bravado and offer them membership in the Red Blades. Possibilities exist as far as you can imagine.
Say you want to lead the characters to a specific point, but you don't want to drag them by the nose. You can tailor certain encounters to make them interested. A band of players who likes the idea of being mercenaries for hire may be swayed by a stranger showing up and offering them a job with a bag of gold or of precious stones as a down payment. Maybe a wounded soldier riding into town and reporting bandits having kidnapped the Duke's daughter will stir a compassionate party. Reports coming in of a terrifying fire-breathing beast will surely draw in a party interested in a good fight. But in the end, your knowledge of your players will help far more than anything I can suggest in an article.
Next time, I'll explain a bit more about NPC design, and handy tricks for making up memorable characters on short notice, and on the spot.
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